Artwork information
- Project
- Finished Dissertation
- Name
- Untitled
- Year
- 2012
- Medium
- collage, gelatin silver print, paper
- Dimensions
- 29x23,5 cm
- Provenance
- The photographers' personal archive
- Catalog number
- KLTR-13
- Inscription
-
Inscription on the verso side: printed texts “64”, “Unbegreifliches nict zu begreifen Relativische Welt – Mosaik-Kultur – nun gut, Akademiemitglieder sind Fachleute, und Fachleute sind auch Dilettanten, und wir sind viele, weshalb auch der Dilettantismus (= Kaleidoskopie) ästhetisch wird”, “Unmittelbare Erkenntnis begreift die Wahrheit mittels Unwissenheit. (Zen-Buddhismus)”, ” Zum Beispiel: Die Zeitschriftenrubriken ‘Von allem etwas’ sind interrestant und deshalb auch ästhetisch” and “Aber eigentlich wissen alle, `wie es nicht sein sollte`, wenn man jedoch etwas so macht, ´wie es sein sollte´, bereits ein Traum ist”, inscription “2012 год 1/1 + 1 A.P Ок. диссертация гр Шило Б.А.М., с уважением Музей” and inscriptions of Sergiy Lebedynskyy and Vladyslav Krasnoshchok
About the artist
Untitled
Vladyslav Krasnoshchok, Sergiy Lebedynskyy, and Vadym Trykoz were members of the Shilo group from 2012 to 2017. United by their interest in the history of the Kharkiv School of Photography, they worked on projects that extended local photographic practices, such as material interventions, attention to socio-political processes, and individualism. Most of their work consisted of independent projects unified by a shared aesthetic of analog monochrome documentary photography.
Their collective work, Finished Dissertation (2012), involved embedding their prints into Boros Mikhailov’s photobook Unfinished Dissertation (1984–1985). Through this act, they identified themselves as successors of the Kharkiv School of Photography tradition.
After 2017, Vadym Trykoz gradually moved away from photography. Serhii Lebedynskyi and Vlad Krasnoshchok continue to work on creative projects.
Photo by Vova Panayev, 2013.
Projects:
Finished Dissertation
Роботи автора:
