Artwork information

Name
Untitled
Year
2012
Dimensions
29x23,5 cm
Provenance
The photographers' personal archive
Catalog number
KLTR-24
Inscription

Inscription on the verso side: printed texts “12”, “Authentizität (A) sezt eine gewisse Distanz zwischen dem diskutierten Werk und anderen Kunstwerken voraus und ist ein Grandmesser des Künstlerischen”, “Diese große Diskrepanz ist jedoch zum Klischee geworden; ändert man die Diskrepany, so kann man subtikere Empfindungen verspüren, die während eines zwölfstündigen Dilms, der einfac einen schlafenden Menschen zeigt, bis (Unendlichkeit) reichen” and “Früher wurde in einer Arbeit eine Kombination aus Fotografien und Texten gezeigt: dimateral engegengesezte Paare (Aschkenasi) Mensch – Kosmisches Tod – Liebe etc. große Diskrepanz, denkt man sie zu Ende, gelangt man zur Katharsis”, inscriptions “с ув. к Б.А.М. Шило: 1/1 + 1 А.Р. 2012 год” and “Музей”, and inscriptions of Sergiy Lebedynskyy and Vladyslav Krasnoshchok

Key words
palmsilhouettegiraffesky

About the artist

Vladyslav Krasnoshchok, Sergiy Lebedynskyy, and Vadym Trykoz were members of the Shilo group from 2012 to 2017. United by their interest in the history of the Kharkiv School of Photography, they worked on projects that extended local photographic practices, such as material interventions, attention to socio-political processes, and individualism. Most of their work consisted of independent projects unified by a shared aesthetic of analog monochrome documentary photography.

Their collective work, Finished Dissertation (2012), involved embedding their prints into Boros Mikhailov’s photobook Unfinished Dissertation (1984–1985). Through this act, they identified themselves as successors of the Kharkiv School of Photography tradition.

After 2017, Vadym Trykoz gradually moved away from photography. Serhii Lebedynskyi and Vlad Krasnoshchok continue to work on creative projects.


Photo by Vova Panayev, 2013.

Projects:

Finished Dissertation

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