{"id":173455,"date":"2020-04-18T16:59:49","date_gmt":"2020-04-18T13:59:49","guid":{"rendered":"https:\/\/www.moksop.org\/about-museum\/nadia-kovalchuk\/"},"modified":"2023-08-04T10:26:56","modified_gmt":"2023-08-04T07:26:56","slug":"nadiia-bernard-kovalchuk","status":"publish","type":"page","link":"https:\/\/moksop.org\/en\/about-museum\/nadiia-bernard-kovalchuk\/","title":{"rendered":"Nadiia Bernard-Kovalchuk"},"content":{"rendered":"

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MOKSOP<\/a><\/span><\/div><\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/moksop.org\/wp-content\/uploads\/2023\/08\/nadiia_red_nb-1.jpg” title_text=”nadiia_red_nb” align=”center” _builder_version=”4.17.3″ custom_margin=”||30px||false|false” hover_enabled=”0″ z_index_tablet=”500″ border_width_all=”7px” border_color_all=”#ffffff” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}” sticky_enabled=”0″]
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Nadiia Bernard-Kovalchuk<\/b><\/h1>\n

researcher, curator<\/h3>\n

Art critic. Born in Kyiv, Ukraine. Resides and works in Paris since 2013. Studied History of Art at the National University of Kyiv-Mohyla Academy (Kyiv, Ukraine), after which enrolled\u00a0\u00c9cole du Louvre in Paris, France, where received her BA in History of Art. In 2019 gained MA in History of Art from Sorbonne University in Paris, France. In 2020 started working on PhD thesis on the department of history of art and archaeology in Sorbonne University. Author of the first monograph on Kharkiv School of Photography \u2014 “\u0425\u0430\u0440\u043a\u0456\u0432\u0441\u044c\u043a\u0430 \u0448\u043a\u043e\u043b\u0430 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0456\u0457: \u0433\u0440\u0430 \u043f\u0440\u043e\u0442\u0438 \u0430\u043f\u0430\u0440\u0430\u0442\u0443<\/a>” (in Ukrainian).<\/p>\n

[\/et_pb_text][et_pb_social_media_follow _builder_version=”4.16″ text_orientation=”center” global_colors_info=”{}”][et_pb_social_media_follow_network social_network=”facebook” url=”https:\/\/www.facebook.com\/profile.php?id=1359558371″ icon_color=”#b2b2b2″ _builder_version=”4.16″ background_color=”rgba(178,178,178,0)” global_colors_info=”{}” follow_button=”off” url_new_window=”on”]facebook[\/et_pb_social_media_follow_network][\/et_pb_social_media_follow][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_padding=”||3px|||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font=”Pragmatica-Extended-Bold||||||||” text_font_size=”23px” header_font=”|||on|||||” header_2_font=”|||on|||||” custom_margin=”||10px” animation_direction=”top” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

Selected publications<\/h2>\n

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\n[\/et_pb_divider][et_pb_text _builder_version=”4.16″ header_3_font=”Pragmatica-Extended-Bold||||||||” header_3_font_size=”20px” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

\u0411\u0435\u0440\u043d\u0430\u0440-\u041a\u043e\u0432\u0430\u043b\u044c\u0447\u0443\u043a \u041d\u0430\u0434\u0456\u044f, \u201c\u0425\u0430\u0440\u043a\u0456\u0432\u0441\u044c\u043a\u0430 \u0448\u043a\u043e\u043b\u0430 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0456\u0457: \u0433\u0440\u0430 \u043f\u0440\u043e\u0442\u0438 \u0430\u043f\u0430\u0440\u0430\u0442\u0443\u201d, Kharkiv, MOKSOP, 2020, 368 \u0441.<\/strong><\/p>\n

Bernard-Kovalchuk Nadiia, \u201cOleg Malyovany’s star in the turbidity of late Soviet aesthetics\u201d, Kharkiv Photo Forum<\/em>, Kharkiv, 2020, 52-60.<\/p>\n

\u0411\u0435\u0440\u043d\u0430\u0440-\u041a\u043e\u0432\u0430\u043b\u044c\u0447\u0443\u043a \u041d\u0430\u0434\u0435\u0436\u0434\u0430, \u0413\u043b\u0435\u0431\u0430 \u0413\u0430\u043b\u0438\u043d\u0430, \u201c\u041e\u043b\u0435\u0433 \u041c\u0430\u043b\u0435\u0432\u0430\u043d\u044b\u0439: \u00ab\u0427\u0430\u0441\u0442\u043e \u0437\u0440\u0438\u0442\u0435\u043b\u044c \u0441\u043c\u043e\u0442\u0440\u0435\u043b \u043d\u0430 \u043c\u043e\u0438 \u0441\u043d\u0438\u043c\u043a\u0438 \u0438 \u043d\u0435 \u043f\u043e\u043d\u0438\u043c\u0430\u043b, \u0447\u0442\u043e \u0432\u0438\u0434\u0438\u0442\u2019 \u201c, Bird In Flight<\/em>, Ocotber 21, 2020, URL: https:\/\/birdinflight.com\/ru\/vdohnovenie\/opyt\/20201020-oleg-malyovanyj.html.<\/a> <\/em><\/p>\n

\u0411\u0435\u0440\u043d\u0430\u0440-\u041a\u043e\u0432\u0430\u043b\u044c\u0447\u0443\u043a \u041d\u0430\u0434\u0456\u044f, \u201c\u0412\u0456\u0434 \u0441\u043e\u0446\u0440\u0435\u0430\u043b\u0456\u0437\u043c\u0443 \u0434\u043e \u0437\u0456\u0440\u043e\u043a : \u0435\u043a\u0432\u0456\u0434\u0435\u043d\u0441\u0438\u0442\u0438 \u0442\u0430 \u043a\u043e\u043b\u0430\u0436\u0456 \u041e\u043b\u0435\u0433\u0430 \u041c\u0430\u043b\u044c\u043e\u0432\u0430\u043d\u043e\u0433\u043e\u201d,\u00a0MOKSOP<\/em>,\u00a0 May 24,\u00a0 2020, URL: https:\/\/www.moksop.org\/vid-sotsrealizmu-do-zirok-ekvidensyty-ta-kolazhi-oleha-mal-ovanoho\/.<\/a><\/p>\n

\u0411\u0435\u0440\u043d\u0430\u0440-\u041a\u043e\u0432\u0430\u043b\u044c\u0447\u0443\u043a \u041d\u0430\u0434\u0456\u044f, \u201c\u0412\u0456\u0434\u0441\u0443\u0442\u043d\u044f \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0456\u044f\u201d, Korydor<\/em>, October 5, 2020, URL: http:\/\/www.korydor.in.ua\/ua\/stories\/piatkovka-holodomor-photo.html.<\/a><\/p>\n

\u0411\u0435\u0440\u043d\u0430\u0440-\u041a\u043e\u0432\u0430\u043b\u044c\u0447\u0443\u043a \u041d\u0430\u0434\u0456\u044f, \u201c\u0415\u0432\u0433\u0435\u043d\u0438\u0439 \u041f\u0430\u0432\u043b\u043e\u0432: \u0421\u043e \u0432\u0440\u0435\u043c\u0435\u043d\u0435\u043c \u043f\u0440\u0438\u0432\u044b\u043a\u0430\u0435\u0448\u044c \u043a \u0442\u043e\u043c\u0443, \u0447\u0442\u043e \u0432 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u0438 \u043c\u0430\u0442\u0435\u0440\u0438\u0430\u043b \u0442\u043e\u0436\u0435 \u0438\u043c\u0435\u0435\u0442 \u0441\u0432\u043e\u044e \u0432\u043e\u043b\u044e\u201d, MOKSOP<\/em>, September 7, 2020, URL:\u00a0https:\/\/www.moksop.org\/evhenyy-pavlov-so-vremenem-pryv-kaesh-k-tomu-chto-v-fotohrafyy-materyal-tozhe-ymeet-svoiu-voliu\/.<\/a><\/p>\n

\u0411\u0435\u0440\u043d\u0430\u0440-\u041a\u043e\u0432\u0430\u043b\u044c\u0447\u0443\u043a \u041d\u0430\u0434\u0456\u044f, \u201c\u0425\u0430\u0440\u043a\u0456\u0432\u0441\u044c\u043a\u0430 \u0448\u043a\u043e\u043b\u0430 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0456\u0457: \u0433\u0440\u0430 \u043f\u0440\u043e\u0442\u0438 apparatus\u201d, \u0410\u043d\u0442\u0438\u043a\u0432\u0430\u0440<\/em>, 2020, no. 3: 72-75.<\/p>\n

\u041a\u043e\u0432\u0430\u043b\u044c\u0447\u0443\u043a \u041d\u0430\u0434\u0456\u044f, \u0414\u0436\u0435\u0440\u0435\u043b\u0430 \u0425\u0430\u0440\u043a\u0456\u0432\u0441\u044c\u043a\u043e\u0457 \u0448\u043a\u043e\u043b\u0438 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0456\u0457 : \u0433\u0440\u0443\u043f\u0430 \u00ab\u0412\u0440\u0435\u043c\u044f\u00bb (1971-1976) \u0442\u0430 \u0457\u0457 \u043a\u043e\u043d\u0442\u0435\u043a\u0441\u0442\u0438, \u043a\u043e\u043d\u0446\u0435\u043f\u0446\u0456\u044f \u043c\u043d\u043e\u0436\u0438\u043d\u043d\u043e\u0457 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0456\u0457<\/a>, \u0422\u043e\u043c 1 (\u0422\u0435\u043a\u0441\u0442), \u0434\u043e\u0441\u043b\u0456\u0434\u043d\u0438\u0446\u044c\u043a\u0430 \u0440\u043e\u0431\u043e\u0442\u0430 (Master 1) \u043f\u0456\u0434 \u043a\u0435\u0440\u0456\u0432\u043d\u0438\u0446\u0442\u0432\u043e\u043c \u0413\u0456\u0439\u043e\u043c\u0430 \u041b\u044c\u043e \u0413\u0430\u043b\u044f (Guillaume Le Gall), \u0423\u043d\u0456\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442 \u0421\u043e\u0440\u0431\u043e\u043d\u043d\u0430 Sorbonne Universit\u00e9, \u041f\u0430\u0440\u0438\u0436, 2018.\u00a0<\/span><\/p>\n

\u041a\u043e\u0432\u0430\u043b\u044c\u0447\u0443\u043a \u041d\u0430\u0434\u0456\u044f, \u0414\u0436\u0435\u0440\u0435\u043b\u0430 \u0425\u0430\u0440\u043a\u0456\u0432\u0441\u044c\u043a\u043e\u0457 \u0448\u043a\u043e\u043b\u0438 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0456\u0457 : \u0433\u0440\u0443\u043f\u0430 \u00ab\u0412\u0440\u0435\u043c\u044f\u00bb (1971-1976) \u0442\u0430 \u0457\u0457 \u043a\u043e\u043d\u0442\u0435\u043a\u0441\u0442\u0438, \u043a\u043e\u043d\u0446\u0435\u043f\u0446\u0456\u044f \u043c\u043d\u043e\u0436\u0438\u043d\u043d\u043e\u0457 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0456\u0457, \u0422\u043e\u043c 2 (\u0414\u043e\u0434\u0430\u0442\u043a\u0438), \u0434\u043e\u0441\u043b\u0456\u0434\u043d\u0438\u0446\u044c\u043a\u0430 \u0440\u043e\u0431\u043e\u0442\u0430 (Master 1) \u043f\u0456\u0434 \u043a\u0435\u0440\u0456\u0432\u043d\u0438\u0446\u0442\u0432\u043e\u043c \u0413\u0456\u0439\u043e\u043c\u0430 \u041b\u044c\u043e \u0413\u0430\u043b\u044f (Guillaume Le Gall), \u0423\u043d\u0456\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442 \u0421\u043e\u0440\u0431\u043e\u043d\u043d\u0430 Sorbonne Universit\u00e9, \u041f\u0430\u0440\u0438\u0436, 2018.\u00a0<\/span><\/p>\n

Kovalchuk Nadiia, Aux sources de l\u2019\u00c9cole de photographie de Kharkiv : le groupe Vremia (1971-1976) et ses contextes au service de la photographie plurielle<\/a>, Volume 1 (Texte), m\u00e9moire de Master 1 en histoire de l\u2019art sous la direction de Guillaume le Gall, Universit\u00e9 Paris-Sorbonne (Paris-IV), Paris, 2018.\u00a0 \u00a0<\/span><\/p>\n

Kovalchuk Nadiia, Aux sources de l\u2019\u00c9cole de photographie de Kharkiv : le groupe Vremia (1971-1976) et ses contextes au service de la photographie plurielle, Volume 2 (Annexes), m\u00e9moire de Master 1 en histoire de l\u2019art sous la direction de Guillaume le Gall, Universit\u00e9 Paris-Sorbonne (Paris-IV), Paris, 2018.<\/p>\n

\u041a\u043e\u0432\u0430\u043b\u044c\u0447\u0443\u043a \u041d\u0430\u0434\u0456\u044f, \u201c\u0410\u043d\u0430\u0442\u043e\u043b\u0456\u0439 \u041c\u0430\u043a\u0456\u0454\u043d\u043a\u043e : \u0442\u0440\u0438 \u043f\u0435\u0440\u0456\u043e\u0434\u0438, \u0442\u0440\u0438 \u043c\u043e\u0434\u0443\u0441\u0438 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0456\u0457\u201d, MOKSOP, 19 \u0432\u0435\u0440\u0435\u0441\u043d\u044f 2019, URL: https:\/\/www.moksop.org\/anatoliy-makiienko-try-periody-try-modusy-fotohrafii\/.<\/a><\/p>\n

\u041a\u043e\u0432\u0430\u043b\u044c\u0447\u0443\u043a \u041d\u0430\u0434\u0456\u044f, \u201c\u0411\u043e\u0440\u0438\u0441 \u041c\u0438\u0445\u0430\u0439\u043b\u043e\u0432 \u0442\u0430 \u0430\u0432\u0430\u0442\u0430\u0440\u0438 \u0440\u0430\u0434\u044f\u043d\u0441\u044c\u043a\u043e\u0441\u0442\u0456 : \u201cBefore sleep\/after drinking\u2019 \u201c, Korydor, 1 \u0442\u0440\u0430\u0432\u043d\u044f 2019.
URL: http:\/\/www.korydor.in.ua\/ua\/stories\/boris-mihajlov-ta-avatari-radyanskosti-before-sleep-after-drinking.html.<\/a><\/p>\n

\u041a\u043e\u0432\u0430\u043b\u044c\u0447\u0443\u043a \u041d\u0430\u0434\u0456\u044f, \u201c\u041c\u0438\u0448\u0430 \u041f\u0435\u0434\u0430\u043d: \u2018\u0412\u0441\u0435 \u0441\u0442\u0440\u0430\u0445\u0438 \u0432 \u043a\u043e\u043d\u0446\u0435 \u0421\u043e\u0432\u0435\u0442\u0441\u043a\u043e\u0433\u043e \u0421\u043e\u044e\u0437\u0430 \u0431\u044b\u043b\u0438 \u0441\u0432\u044f\u0437\u0430\u043d\u044b \u0441 \u0442\u0435\u043c, \u0447\u0442\u043e \u043d\u0435\u043f\u043e\u043d\u044f\u0442\u043d\u043e \u043e\u0442\u043a\u0443\u0434\u0430 \u0438\u0434\u0435\u0442 \u043e\u043f\u0430\u0441\u043d\u043e\u0441\u0442\u044c\u2019 \u201c, MOKSOP, 10 \u0441\u0435\u0440\u043f\u043d\u044f 2019, URL: https:\/\/www.moksop.org\/ynterv-iu-s-myshey-pedanom-vse-strakhy-v-kontse-sovetskoho-soiuza-b-ly-sviazan-s-tem-chto-neponiatno-otkuda-ydet-opasnost\/<\/a>.<\/p>\n

\u041a\u043e\u0432\u0430\u043b\u044c\u0447\u0443\u043a \u041d\u0430\u0434\u0456\u044f, \u201c\u0412\u0456\u0434 \u0441\u043e\u0446\u0440\u0435\u0430\u043b\u0456\u0437\u043c\u0443 \u0434\u043e \u0437\u0456\u0440\u043e\u043a : \u0435\u043a\u0432\u0456\u0434\u0435\u043d\u0441\u0438\u0442\u0438 \u0442\u0430 \u043a\u043e\u043b\u0430\u0436\u0456 \u041e\u043b\u0435\u0433\u0430 \u041c\u0430\u043b\u044c\u043e\u0432\u0430\u043d\u043e\u0433\u043e\u201d, MOKSOP, 24 \u0442\u0440\u0430\u0432\u043d\u044f 2020, URL: https:\/\/www.moksop.org\/vid-sotsrealizmu-do-zirok-ekvidensyty-ta-kolazhi-oleha-mal-ovanoho\/<\/a>.<\/span><\/p>\n

\u041a\u043e\u0432\u0430\u043b\u044c\u0447\u0443\u043a \u041d\u0430\u0434\u0456\u044f, \u201c\u0424\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0456\u0447\u043d\u0456 \u0442\u0440\u043e\u043f\u0438 \u042e\u0440\u0456\u044f \u0420\u0443\u043f\u0456\u043d\u0430\u201d, 6 \u0431\u0435\u0440\u0435\u0437\u043d\u044f 2019. URL : https:\/\/www.moksop.org\/fotohrafichni-tropy-yuriia-rupina\/.<\/a><\/p>\n

\u041a\u043e\u0432\u0430\u043b\u044c\u0447\u0443\u043a \u041d\u0430\u0434\u0456\u044f, \u201c\u0424\u043e\u0442\u043e-\u0441\u0438\u043d\u0442\u0435\u0437: \u0412\u0438\u0441\u0442\u0430\u0432\u043a\u0430 \u2018UPHA: Made in Ukraine\u2019 \u0432 \u0410\u041a\u0422\u0456\u201d, 2 \u0441\u0435\u0440\u043f\u043d\u044f 2019, YourArt, URL: https:\/\/supportyourart.com\/columns\/uphaakt?rq=\u043d\u0430\u0434\u0456\u044f%20\u043a\u043e\u0432\u0430\u043b\u044c\u0447\u0443\u043a<\/a>.<\/p>\n

Oleksandra Osadcha, Nadiia Kovalchuk
The strategies of visual representation of \u201cHomo Sovieticus\u201d (on the material of the Kharkiv School of Photography). Sztuka Europy Wschodniej<\/em>, tom VII. 2019: 199-205.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

MOKSOP<\/a><\/span><\/div> Nadiia Bernard-Kovalchuk researcher, curator Art critic. Born in Kyiv, Ukraine. Resides and works in Paris since 2013. Studied History of Art at the National University of Kyiv-Mohyla Academy (Kyiv, Ukraine), after which enrolled\u00a0\u00c9cole du Louvre in Paris, France, where received her BA in History of Art. In 2019 gained MA in History of Art […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":172410,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":""},"yoast_head":"\nNadiia Bernard-Kovalchuk – MOKSOP<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/moksop.org\/en\/about-museum\/nadiia-bernard-kovalchuk\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Nadiia Bernard-Kovalchuk – MOKSOP\" \/>\n<meta property=\"og:description\" content=\"Nadiia Bernard-Kovalchuk researcher, curator Art critic. Born in Kyiv, Ukraine. Resides and works in Paris since 2013. 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