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First edition, 2022<\/strong> [\/et_pb_text][et_pb_text _builder_version=”4.14.7″ text_font_size=”14px” text_line_height=”1.3em” global_colors_info=”{}”]<\/p>\n Cet ouvrage a b\u00e9n\u00e9fici\u00e9 du soutien du Programme d\u2019aide \u00e0 la publication Skovoroda de l\u2019Ambassade de France en Ukraine \/ Institut fran\u00e7ais d\u2019Ukraine.<\/p>\n All rights reserved. No part of this publication may be reproduced in any form, including photocopying or any storage without permission from the publisher, except in the context of reviews.<\/p>\n \u00a9 \u00c9ditions de l\u2019Etoile, Gallimard, Le Seuil, 1980 [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.4.3″ background_enable_color=”off” custom_padding=”30px||0px||false|false” saved_tabs=”all” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.4.3″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.4.3″ global_colors_info=”{}”][et_pb_wc_related_products icon_hover_color=”rgba(0,0,0,0)” hover_overlay_color=”rgba(0,0,0,0)” _builder_version=”4.7.3″ title_font=”Moksop-head-bold||||||||” title_font_size=”23px” product_title_font=”Open Sans|600|||||||” product_title_text_align=”center” product_title_font_size=”16px” price_font=”|600|||||||” price_text_align=”center” price_text_color=”#ffcb05″ price_font_size=”15px” global_colors_info=”{}”][\/et_pb_wc_related_products][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" \u201cLa chambre claire\u201d also known in its English and Ukrainian translation as \u201cCamera lucida\u201d is the last book by the French philosopher and literary theorist Roland Barthes published just several months before his death. In this essay, the author explores the medium of photography and also reflects on the death of his mother. Barthes attempts to find his mother\u2019s \u201creal image\u201d in a photograph of her as a child. Through the intense grief on the loss of a loved one, Barthes transforms a cultural analysis of photography into phenomenological. According to Barthes, photography can pierce the veil of symbolic codes of language and culture, thus existing beyond the semiotics and affecting the body as much as the mind.<\/p>\n","protected":false},"featured_media":200010,"template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":""},"product_cat":[233],"product_tag":[],"yoast_head":"\n
MOKSOP, moksop.org<\/strong>
Translation and academic editing:<\/strong> Olena Chervonik
Editing:<\/strong> Vira Baldyniuk
Proofreading:<\/strong> Olena Podorozhnya
Design, layout:<\/strong> Nadiia Kelm, Olga Zhuk
Production:<\/strong> RED ZET Editions
Project management:<\/strong> Nadiia Bernard-Kovalchuk
Grant managment:<\/strong> Oleksandra Osadcha
Publication manager:<\/strong> Sergiy Lebedynskyy
ISBN: <\/strong>978-3-947922-08-6
Print run:<\/strong> 2000 copies
Format: <\/strong>110\u00d7180 mm, 176 pages<\/p>\n
\u00a9 Olena Chervonik, French translation, 2022
\u00a9 Nadiia Kelm, Olga Zhuk, design, 2022
\u00a9 CA \u00abMuseum of Kharkiv School of Photography\u00bb, publication, 2022<\/p>\n