Solo exhibitions:

2016 — “Війна написів / War of Inscriptions”, Mala Gallery of Mystetskyi Arsenal, Kyiv, Ukraine

2016 — “Красный директор и синий прокурор / Red director and blue prosecutor”, bar “Черный капитан”, Kyiv, Ukraine

2016 — “Прямой контакт / Direct contact”, arch at the address – Velyka Zhytomyrska St, 30А, Kyiv, Ukraine

2017 — “Троя ВК / Troya VK”, “Квартира 14” space, Kyiv, Ukraine

2018 — “Кіптява / Soot”, “Артсвіт” gallery, Dnipro, Ukraine

2018 — “Опыт разного рода / Different sorts of experience” (together with Eduard Ovsiannikov), Central Market, Kharkiv, Ukraine

2019 — “Nareszcie jesteśmy / Нарешті / Finally”, Miejski Ośrodek Sztuki, Gorzów Wielkopolski, Poland (curator — Natalia Chychasova)

2019 — “Soot”, as a part of Hybrid Festival, “Efti Mardid” gallery, Madrid, Spain (curator — Ksenia Malykh)

2019 — “War of Inscriptions”, “Off/Format” gallery, Brno, Czechia

2019 — “Кіптява / Soot”, “MASLO” gallery, Khmelnytskyi, Ukraine

2020 — “Передчуття лиха / Presentiment of disaster”, “Detenpyla” gallery, Lviv (curator — Ksenia Malykh)

2021 — “Хвостосховище / Tailings Dum”, PinchukArtCentre, Kyiv, Ukraine (curator — Björn Geldhof)

2021 — “Хвостосховище. Інженер / Tailings Dum. Engineer”, Voloshyn Gallery, Kyiv, Ukraine (curator — Ksenia Malykh)

 

Group exhibitions

2015 — “Саморазрушающиеся новостройки / New self-destroying buildings”, squat “Автономия”, Kharkiv, Ukraine

2016 — “Прямой контакт / Direct contact”, as a part of “Шишаки фест”, Shyshaki urban-type settlement, Poltava oblast, Ukraine

2017 — “Historia o pewnych historiach / A story about certain histories”, Galeria Labirynt, Lublin, Poland ( “Complete overhaul” project) (curator — Yaroslav Futymskyi)

2017 — “Джерела світла / Sources of light”, as a part of “Музей відкрито на ремонт” project, Lysychansk local history museum, Lysychansk, Ukraine

2018 — nominees of PinchukArtCentre Prizw, PinchukArtCentre, Kyiv, Ukraine (“КТМ-5” project)

2018 — “Dnipropetrovsk region”, as a part of “Creating Ruin” programm (organized by “Method Fund”)

2019 — “Neklid obrazu III: Potřeba sdílení / Restless Image III: The Urge to Share”, etc. Galeria, Prague, Czechia ( “Soot” project) (curator — Tomáš Kajánek)

2019 — “Только пока Славе не говори / Just don’t tell Slava yet”, Museum of Contemporary Art Kherson, Kherson, Ukraine (curators — Відкрита група: Yevgen Samborsky, Anton Varga, Yuriy Biley, Pavlo Kovach, Stanislav Turina, Stanislav Perkovskyi)

2019 — “Декомуні_ація / DECOMMUNI_ATION”, Kunsthalle am Hamburger Platz, Berlin, Germany (проект “Overturning”)

2019 — “Читаючи уламки / Reading ruins”, second show of the “Жести ставлення” programm, Bukhanchuk Fine Art Museum, Kmytiv village, Zhytomyr, Ukraine (“Soot” project) (curator — Nikita Kadan)

2019 — ІІ Biennal of Youth Art, YermilovCentre, Kharkiv, Ukraine (“Darkness” project)

2019 — Watching “Labor safety in Dnipropetrovsk region”, Exploding Cinema, London, Great Britain (“Soot” project)

2020 — “Sztuczny ból. Współczesna sztuka Ukrainy / Artificial Pain. Fine Art from Ukraine”, “Znaki Czasu”, contemporary art centre, Torun, Poland (curators — Nataliia Ivanova, Krzysztof Białowicz)

2020 — “E-flux. Artist Cinemas”, online programm of film, New York, USA (“Soot” project, “Labor safety in Dnipropetrovsk region” film)

2020 — nominees of PinchukArtCentre Prizw, PinchukArtCentre, Kyiv, Ukraine (“Hooligans” project)

2020 —“Брюдершафт / Bruderschaft”, Kharkiv, Ukraine (curators — Lizaveta German, Maria Lanko)

2021 — “Вернхє Синьовидне. Вигляд з тунелю / Verkhnje Syn’ovydne. View from the tunnel”, “Detenpyla” gallery, Lviv, Ukraine (curator — Pavlo Kovach)

2021 — “Штучний біль”, YermilovCentre, Харків, Ukraine (куратори — Наталія Іванова, Кшиштоф Бяловіч)

2021 — video platform “Springs.video” (“Labor Safety in Dnipropetrovsk region” film) (selection — Aleksei Borisionok, Olia Sosnovskaya)

2021 — “Автор у грі / Artist in the game”, YermilovCentre, Kharkiv, Ukraine ( “КТМ-5М3” project) (curators — Sergiy Lebedynskyy, Oleksandra Osadcha, Nadiia Bernard-Kovalchuk)

2021 — “Чутливість / Sensitivity”, Mystetskyi Arsenal, Kyiv, Ukraine ( “Soot” project) (curators — Maksym Gorbatskyi, Solomia Savchuk, Oleksandr Soloviov)

2022 — “A Letter from the Front”, Castello di Rivoli, Turin, Italy (curators — Nikita Kadan, Giulia Colletti)

2022 — “An Incomplete & Unreliable Guide to Social Media War Room”, Georg Kargl Fine Arts, Vienna, Austria (curator — Valentinas Klimašauskas)

2022 — “BIVAF”, The Busan International video art festival, Busan, South Korea

2022-2023 — “Chain Reaction: Film and video works from Ukraine”, МАХХІ — National Museum of 21st Century Art, Rome, Italy (curators — Mykola Ridnyi, Alessandra Troncone)

2022 — “Film of Emergency / Ukrainian Experimental Film and Video Art”, Kvadrat 500 National Gallery, Sofia, Bulgaria

2022 — “Imagine Ukraine”, Centre for Fine Arts Bozar, Brussels, Belgium

2022 — “On the Continuity of War”, Künstlerhaus Büchsenhausen, Innsbruck, Austria (curator — Mykola Ridnyi)

2022 — “To Watch the War — The Moving Image Amidst the Invasion of Ukraine (2014-2022)”, café and bar Coalmine, Winterthur, Switzerland (curators — Olexii Kuchanskyi, Oleksiy Radynski)

2022 — “Інші частини в наступному кварталі / Other Parts in the Next Quarter”, The Naked Room Gallery, Kyiv, Ukraine (curator —Borys Filonenko)

2022 — 33-rd International Film Festival Marselle, film program “Ukrainian Youth (2014-2022)”, Marseille, France

2022 — exhibition of the shortlisted artists for the PinchukArtCentre Prize 2022, PinchukArtCentre, Kyiv, Ukraine (curators — Ksenia Malykh, Oleksandra Pogrebnyak)

2022 — film program “Chain reaction”, Kunsthalle Bratislava, Bratislava, Slovenia

2022 — film program “Home and Abroad”, Art Museum, Olomouc, Czech Republic (curator — Barbara Kundračíková)

2022 — film program “Visions of Ukraine”, Museum Folkwang, Essen, Germany

2022 — film project “I Have No Words — There Is No Title”, Rathausgalerie, Munich, Germany

2022 — The Triennial of Contemporary Art “Ukrajins’kyj Zriz ‘UKRAINE! UNMUTED’”, Kaunas Central Post Office, Kaunas, Lithuania (curators — Vlodko Kaufman, Sergiy Petlyuk)

2022 —Ars Electronica 2022 Festival, Linz, Austria

2023 — “Biruchiy Borowiec ‘433-447’”, Nadwislanskie Museum, Kazimierzu Dolny, Poland (curator — Gennadiy Kozub)

2023 — “Clamour”, Green On Red Gallery, Дублін, Ірландія

2023 — “Documenting Ukraine: Bearing Witness to War”, галерея Bildraum, Vienna, Austria (curator — Polina Baitsym)

2023 — “Foto Wien 2023”, MuseumsQuartier, Vienna, Austria

2023 — “From 1914 till Ukraine”, Kunstmuseum Stuttgart, Stuttgart, Germany (curators — Anne Vieth, Kateryna Semenyuk, Oksana Dovgopolova)

2023 — “Global spotlight: Video art from Ukraine”, Museum of Contemporary Art Arlington, Arlington, USA

2023 — “Home. Ukrainian Photography”, Open Eye Gallery, Liverpool, UK (curators — Viktoria Bavykina, Max Gorbatskyi)

2023 — “Human”, Baltic Gallery of Contemporary Art, Słupsk, Poland (curators — Edyta Wolska, Oksana Karpovets)

2023 — “Kharkiv School of Photography. 50 years of artistic photography in Ukraine”, Maxi.Kunst, Nuremberg, Germany (curator — Illya Zhekalov)

2023 — “Temptation of Modernity”, Manifesta 15, Barcelona, Spain (curators — Tatiana Kochubinska, Oleksandr Teliuk)

2023 — “The Artist as Prophet”, Gallery Weisser Elefant, Berlin, Germany (curators — Valeria Shiller, Ksenia Malykh)

2023 — “The Cross Line”, MuseumsQuartier, Vienna, Austria (curators — Kateryna Radchenko, Felix Hoffman)

2023 — “The sky is open. Voices from Ukraine”, Galeria Labirynt, Lublin, Poland (curator — Waldemar Tatarczuk)

2023 — “The Sky Is Open. Voices From Ukraine”, online archive of works by Ukrainian artists

2023 — “To Watch the War: The Moving Image Amidst the Invasion of Ukraine (2014-2023)” BAK — basis voor actuele kunst, Utrecht, Netherlands (curators — Olexii Kuchanskyi, Oleksiy Radynski)

2023 — “Ukraine Month in Europe”, Casa Zemstvei Cultural Centre, Chisnau, Moldova

2023 — “Ukrainian dreamers. Charkiwer Schule der Fotografie”, Kunstmuseum Wolfsburg, Wolfsburg, Germany (project — Tailings Dam) (curator — Sergiy Lebedynskyy)

2023 — “Ukrainian Perspectives: Photography from the 1940s-Now”, Chashama, New York, USA (curators — Fred Ritchin, Ira Lupu)

2023 — “На периферії війни / On the Periphery of War”, as a part of Kyiv Biennial, Asortymentna Kimnata, Ivano-Frankivsk, Ukraine (curators — Aliona Karavai, Yarema Malashchuk, Anton Usanov, Roman Khimei)

2023 — “Наші роки, наші слова, наші втрати, наші пошуки, наші ми / “Our Years, Our Words, Our Losses, Our Searches, Our Us ”, Jam Factory Art Center, Lviv, Ukraine (curators — Kateryna Iakovlenko, Natalia Matsenko, Borys Filonenko)

2023 — “Ти як? / How are You”, National Centre “Ukrainskyi Dim”, Kyiv, Ukraine (curators — Yehor Antsyhin, Olha Balashova, Halyna Hleba, Yuliia Karpets, Anna-Mariia Kucherenko, Katia Libkind, Tetiana Lysun, Oleksandr Soloviov)

2023 — “Хащі, Рощі, Зарощі і Кущі / Thickets, Groves, Thickets and Shrubs” (apartment exhibition), Kyiv, Ukraine

2023 — “Щодо втрачання / On Loosing”, Lviv Municipal Art Centre, Lviv, Ukraine (curator — Nikita Kadan)

2023 — International Short Film Festival Nijmegen “Go Short —”, Marienburg 75, Nijmegen, Netherlands

2023 — The Triennial of Contemporary Art “Ukrajins’kyj Zriz ‘UKRAINE! UNMUTED’”, Galeria Biała, Lublin, Poland (curators — Vlodko Kaufman, Sergiy Petlyuk)

2024 — “Biruchiy Borowiec 023”, Ukraiński Dom, Warsaw, Poland (curator — Gennadiy Kozub)

2024 — “From Ukraine. Dare to dream”, parallel program of the 60th Biennale di Venezia, Venice, Italy (project “Clanking, Hammering, Dispute and Gurgling”) (curators — Björn Geldhof,  Ksenia Malykh)

2024 — “Home. Ukrainian Photography, UK Words: Tour”, University of Salford, Manchester, UK (curators — Viktoria Bavykina, Max Gorbatskyi)

2024 — “Net Making”, Ukrainian Pavilion at the 60th Biennale di Venezia, Venice, Italy (projects “Civilians. Invasion”) (curators — Viktoria Bavykina, Max Gorbatskyi)

2024 — “Ukrainian dreamers. Charkiwer Schule der Fotografie”, Kommunale galerie Berlin, Berlin, Germany (curator — Sergiy Lebedynskyy)

Publications

“Artist Cinemas presents: `Labor Safety in the Region of Dnipropetrovsk`”. e-flux, June 24, 2020. https://www.e-flux.com/video/337224/labor-safety-in-the-region-of-dnipropetrovsk/.

Creating Ruin. “Dnipropetrovsk region”, October 20, 2018. https://creatingruin.net/project/dnipropetrovsk-region?fbclid=IwAR2DgbpjapuUHCs1dOHHGx9m6DOX7z20jRXZE2G3oZdtq5M6qaZf3NNQHkw.

Fisher, Alex. “Slit Your Throat In a Semi-fictional Fog.” TransitoryWhite, May 5, 2020. https://transitorywhite.com/articles/slit-your-throat-in-a-semi-fictional-fog?fbclid=IwAR1c1LBMds70OWJGjElz4CycBBkdlXG8y8Htra_z6xJOu4eywXWRpgm_e88#.

Kochubinska, Tatiana. “Past and Present: 3 Exhibitions at PinchukArtCentre, Kyiv”. Cultbites, August 12, 2021. https://cultbytes.com/past-and-present-3-exhibitions-at-pinchukartcentre-kyiv/?fbclid=IwAR18iq0uFycvB0V_9_H4kJC4by4jtAhzaVq_YLRPOm8BV97iNu6ptO666so.

“КТМ 5”, Mitec.ua, April 16, 2018. https://mitec.ua/9156-2.

Scrimgeour , Alexander. “Signals in the noise. Art in Ukraine”. Spike magazine, March 6, 2018. https://www.spikeartmagazine.com/articles/signals-noise-art-ukraine.

“Springs.video launches with two video programmes”. Arterritor,. July 28, 2021. https://arterritory.com/en/visual_arts/topical_qa/25678-springsvideo_launches_with_two_video_programmes?fbclid=IwAR2PVfm0zEcI0Q0mOCHYdG8gq2ItI3ZIEILH5TKILFDftlcCmqwS-83sLeY.

“The Best and Worst of Art in Central Europe in 2018”. Blok magazine, January 9, 2019. http://blokmagazine.com/the-best-and-worst-of-art-in-central-europe-in-2018/.

Vanek, Martin. “Make art not war”. Artalk.cz, November 4, 2019. https://artalk.cz/2019/11/04/make-art-not-war/?fbclid=IwAR1JFB9pF0ccypiJJOson3aFwnF1RwrzCagfGrynzIw8Sgvhvz23CHTBLB4.

Аміна, Ахмед [Amina, Akhmed]. “Любов, політика та “Автор у грі”: про виставку Харківської Школи Фотографії”. YourArt, July 19, 2021. https://supportyourart.com/stories/lyubov-polityka-ta-avtor-u-gri-pro-vystavku-harkivskoyi-shkoly-fotografiyi/?fbclid=IwAR1MNyiNRQONFhV6FsayYvswasrwpa_Gt0NwMEsIdiJokB1enQDvL6tQbpk.

Волчек, Дмитро [Volchek, Dmytro]. “Константин Дорошенко: Украина не обросла российским цинизмом”. Радио Свобода, October 28, 2020. https://www.svoboda.org/a/30910509.html.

Герман, Лiзавета [German, Lizaverta]. “Приховані фігури: шість неочевидних фаворитів премії PinchukArtCentre”. LB.ua, April 17, 2018. https://lb.ua/culture/2018/04/17/395445_skritie_figuri_shest_neochevidnih.html.

“Даниил Ревковский, Андрей Рачинский и наша память”. Zeigarnik Effect, 29 червня 2020. https://zeigarnikeffect.medium.com/%D0%B4%D0%B0%D0%BD%D0%B8%D0%B8%D0%BB-%D1%80%D0%B5%D0%B2%D0%BA%D0%BE%D0%B2%D1%81%D0%BA%D0%B8%D0%B9-%D0%B0%D0%BD%D0%B4%D1%80%D0%B5%D0%B9-%D1%80%D0%B0%D1%87%D0%B8%D0%BD%D1%81%D0%BA%D0%B8%D0%B9-%D0%B8-%D0%BD%D0%B0%D1%88%D0%B0-%D0%BF%D0%B0%D0%BC%D1%8F%D1%82%D1%8C-f58079392d74.

Дорошенко, Костянтин [Doroshenko, Kostiantyn]. “ ‘Хай живе наше майбутнє і помре ваше!’ Дебютна книжка Вадима Яковлева про ефект бездержавності”. Суспільне, August 6, 2020. https://suspilne.media/53458-haj-zive-nase-majbutne-i-pomre-vase-debutna-knizka-vadima-akovleva-pro-efekt-bezderzavnosti.

Естеркіна, Інга [Esterkina, Inha]. “Biruchiy відправляється в подорож Україною: про резиденцію у Шаргороді”. YourArt, August 5, 2021. https://supportyourart.com/stories/pro-rezydencziyu-shargorod-biruchiy-miscze-odkrovennya-miscze-yavlenyh-chudes/?fbclid=IwAR0InPEjJQjQHnd-_WgubEgRsUyA0hoyKt-l8mjDLOJVntZG4j-Bwma1yoY.

Калита, Настя [Kalyta, Nastia]. “Андрій Рачинський та Даніїл Ревковський: про Харків, Пам’ять та затриманих на Салтівці”. YourArt, July 5, 2019. https://supportyourart.com/conversations/revkovskij-i-rachinskij/?fbclid=IwAR2Ox8eZ0mgyWZMIbzNh38GiV5EPUGJLvRicQ7WxRfn_f4lAsBIV7-jpWhU.

“Кичкасская клятва” и уличное оружие. В Киеве проходит инсталляция, посвященная истории Запорожья”. Вся Власть, March 1, 2020. https://www.vv.com.ua/kichkasskaja-kljatva-i-ulichnoe-oruzhie-v-kieve-prohodit-installjacija-posvjaschennaja-istorii-zaporozhja.

Ковалевская, Мария [Kovalevskaia, Maryia]. “В Кривом Роге показали реалии индустриального региона”. Информатор. Кривой Рог, December 8, 2018. https://kr.informator.ua/2018/12/08/v-krivom-roge-pokazali-realii-industrialnogo-regiona.

“Куды прыводзяць мары”. 34 mag, July 7, 2016. https://34mag.net/post/kudy-pryvodzyac-mary.

Кучанський, Олексій [Kuchanskyi, Oleksii]. “Екології та Дисплеї ІV. Екологія без сенсації”. YourArt, November 2, 2020. https://supportyourart.com/columns/ecology-and-displays-4/?fbclid=IwAR1IVS4BidQC6bIzHEA3AhRrEnG6oKDZjnxYB2hU5gunHaVjiExWwP_mGyI.

Лібет, Світлана [Libet, Svitlana]. “Ксенія Малих: ‘Основной мой капитал — люди’”. YourArt, October 23, 2019. https://supportyourart.com/conversations/malykh/?fbclid=IwAR2Ox8eZ0mgyWZMIbzNh38GiV5EPUGJLvRicQ7WxRfn_f4lAsBIV7-jpWhU. 

Малих, Ксенія [Malykh, Ksenia]. “Верхнє Синьовидне. Вигляд із тунелю. Резиденція. Виставка”. Arts Looker, April 2, 2021. https://artslooker.com/verhne-sinovidne-viglyad-iz-tunelyu-rezidentciya-vistavka/?fbclid=IwAR37dTIDdPWkEWB89NFgwoRzqBDsJPuTLAfWDJUPNVYpXR7Ha2eSTW_BvV0.

Малих, Ксенія [Malykh, Ksenia]. “Клуб поклонников пиздеца”. YourArt, March 5, 2020. https://supportyourart.com/columns/rrmethod/?fbclid=IwAR0texD-Pmsupfc4kbZ_wnSr5Qjzo6cT7zy5uD_UwlkilGmKhuN6WFNioQE.

Малих, Ксенія [Malykh, Ksenia]. “Ми-вони-ви-ти”. Часопис РТВ, February 5, 2021. http://magazynrtv.com/ukr/wydanie-13/krytyka/ми-вони-ви-ти/?fbclid=IwAR1qYdsqKSjQWb2GT1iNAzosr6xhXPJ0iXWPvuE2yxs3o4e-OBRNjA1cKnE.

Малих, Ксенія [Malykh, Ksenia]. “Про ‘Кіптяву’ у Мадриді”. YourArt, October 31, 2019. https://supportyourart.com/columns/kiptyavmadrid/?fbclid=IwAR2HE4U6G0B-mMs_g6xCCIagtdwJFgrW5fdc7vX5cWwkksv4mboe4xNUZ1E.

Панюшкіна, Яна, Гавриш, Олег [Paniushkina, Yana, Havrysh, Oleh]. “Топ-5 робіт премії PinchukArtCentre 2020”. The Page, February 10, 2020. https://thepage.ua/ua/style/life-style/top-5-robit-premiyi-pinchukartcentre-2020.

“Ревковський і Рачинський покажуть виставку «Кіптява» у Мадриді”. YourArt, September 4, 2019. https://supportyourart.com/news/salaefti-efti-group/?fbclid=IwAR0ek6RKUwYmMsGh5VRrkrwcbZ62KysVlA7Tk_hLKVRemqYpA7ZKnGXFTBw.

Семеник, Оксана [Semenyk, Oksana]. “Искусство, насилие и война. Украинские художники рассказывают Забороне про работу с табуированными темами”. Заборона, May 28, 2020. https://zaborona.com/ru/iskusstvo-nasilie-i-vojna.

Семеник, Оксана [Semenyk, Oksana]. “Музей катастроф: что важно знать о художниках Рачинском и Ревковском”. Заборона, April 7, 2021. https://zaborona.com/ru/muzej-katastrof-chto-vazhno-znat-o-hudozhnikah-rachinskom-i-revkovskom/?fbclid=IwAR2ofGQlYAUmHCHC9rsXn9NvlDZg_UgQmLjcSfplMVfwfZS8UCuhsK_jHoM.

Семеник, Оксана [Semenyk, Oksana]. “Терор, Чорнобиль, Донбас — як мистецтво працює з минулим та майбутнім”. Yabl, December 14, 2020. https://yabl.ua/2020/12/14/teror-chornobil-donbas-yak-mistectvo-pracyuye-z-minulim-ta-majbutnim?fbclid=IwAR0h0bJYDsMv_ZnSgBvrohLdN4gYbZcPxbYKukJktp0gA-n3DHgPvzPxRBs.

Татаренко, Ирина [Tatarenko, Irina]. “#bookshelfy: Даніїл Ревковський та Андрій Рачинський, художники”. Marie Claire, March 19, 2021. https://marieclaire.ua/obshhestvo/bookshelfy-danilo-revkovskij-ta-andrij-rachinskij-hudozhniki/?fbclid=IwAR2jM_Op1NFxdwLjnhaznJz1CvnIp1OlqfOpCc5dD1Lxl4_pJw6N3AQac3E.

Тихоненко, Катерина [Tykhonenko, Kateryna]. “Мы понимаем что не изменим ничего своими проектами”. Korydor, September 21, 2018. http://www.korydor.in.ua/ua/opinions/revkovskij-i-rachinskij-kopot-artsvit.html.

Футимський, Ярослав [Futymskyi, Yaroslav]. “Обличчя у кіптяві”. Prostory, October 11, 2018. http://prostory.net.ua/ua/krytyka/398-oblych-.

Хайло, Павел [Khailo, Pavel]. “Политика взгляда: о некоторых особенностях художественных исследований в Украине после 2014 года”. Художественный Журнал, no. 110 (2019). http://moscowartmagazine.com/issue/94/article/2091.

Яковленко, Катерина [Iakovlenko, Katerina]. “Темнота”. YourArt, February 5, 2020. https://supportyourart.com/columns/temryava/?fbclid=IwAR1p7fk5HUXeAjqkCYkRAkZmpBB9aoaecB1z3jS0dlxHUd5CfCunhi-fWlo.

Яковленко, Катерина [Iakovlenko, Katerina].  “Харьковский сад”. YourArt, October 23, 2019. https://supportyourart.com/columns/kharkovsad/?fbclid=IwAR2Av9EhtZMxsI1z6_D9zSk8zb1t_Ob0PIkgrgXmjm4W8nW7NEHqm8g-8BI.