Rodchenko: aesthetics as politics
In his photographs and his written expositions on the medium, Rodchenko insisted on formal innovations such as extreme foreshortening and seriality.
Шаблон статті EN
Шаблон статті EN 21/04/20 Олександра Осадча Юрій Рупін, “Автопортрет”, недатовано, срібно-желатиновий друк На руїнах імперських знаків – нескінченних парадів та урочистостей, – члени групи «Время» шукали сліди присутності життя через фотографію –...
Urban opera of Boris Mikhailov
Mikhailov recorded this condition of a “zero state” of the new society, that was just emerging from the ruins of a previous political and cultural formation, in his most controversial photographic project “Case History”, executed in 1997 – 1998.
Anatoliy Makiyenko: Three Periods and Three Modes of Photography
More than a thirty-year-old photographic practice of Anatoliy Makiyenko belongs to Kharkiv School of Photography, the characteristics of which were recognised and systematised not so long ago.
Igor Manko: “We Tried to create works that would make you stop in front of them and think for a while”
Art critic Alina Sandulyak prepared an interview with the participant of Cosprom photographic group Igor Manko