by Nadiia Bernard-Kovalchuk | 10, Aug 2019 | History and analytics
Misha Pedan on the structure of Kharkiv photography scene in the 1970-1980s, the change of aesthetic paradigm and the specific character of curatorial activity in the Soviet period of “perestroika”.
by Nadiia Bernard-Kovalchuk | 6, Mar 2019 | History and analytics
In a country where photographic practice existed in only two modes – an amateur one, focused on technical quality, encouraged by the state through the creation of a network of photo clubs, and a reportage one, directed by an ideological governmental order – Rupin and the other members of the Vremia group were looking for ways to rethink photography as an artistic practice