Artwork information
- Project
- Finished Dissertation
- Name
- Untitled
- Year
- 2012
- Medium
- collage, gelatin silver print, paper
- Dimensions
- 29x23,5 cm
- Provenance
- The photographers' personal archive
- Catalog number
- KLTR-22
- Inscription
-
Inscription on the verso side: printed texts “30”, “Aus dem Buch von Nalimow ´Das Kontinuierliche gegen das Diskrete in der Sprache und im Denken´ In der amerikanischen Literatur stoßen wir plötzlich auf Klagen, daß die vorhandenen Denkstereotzpen die schöpferischen Möglichkeiten lähmen”, “Die Gewohnheit, das Künstlerische, Besondere im Gewöhnlichen zu wollen, hat uns unfähig gemacht, das Gewöhnliche als Gegebenheit wahrzunehmen” and “Egal, was man fotografiert, die Amerikaner fotografieren bereits etwas anderes”, inscriptions “Реформы – красота! 2012 год. Гр. Шило 1/1 + 1 А.Р. с уважением, Красный Лебеда”, “Музей” and “з повагою”, and inscriptions of Sergiy Lebedynskyy and Vladyslav Krasnoshchok
About the artist
Untitled
Vladyslav Krasnoshchok, Sergiy Lebedynskyy, and Vadym Trykoz were members of the Shilo group from 2012 to 2017. United by their interest in the history of the Kharkiv School of Photography, they worked on projects that extended local photographic practices, such as material interventions, attention to socio-political processes, and individualism. Most of their work consisted of independent projects unified by a shared aesthetic of analog monochrome documentary photography.
Their collective work, Finished Dissertation (2012), involved embedding their prints into Boros Mikhailov’s photobook Unfinished Dissertation (1984–1985). Through this act, they identified themselves as successors of the Kharkiv School of Photography tradition.
After 2017, Vadym Trykoz gradually moved away from photography. Serhii Lebedynskyi and Vlad Krasnoshchok continue to work on creative projects.
Photo by Vova Panayev, 2013.
Projects:
Finished Dissertation
Роботи автора:
